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The Mooncake Festival, Chinese Mooncake Mythology and Lunar Celebrations
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THE MOONCAKE FESTIVAL: Chinese Mythology

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The Mooncake Festival and Chinese Mythology

Three tales and oral traditions from Ancient China

A researched article written in 2003 by Zak Keith, on assignment for Mooncake Restaurant, Stockholm, Sweden

The Mooncake Festival, also known as the Mid-Autumn Festival or Choong Chou, is a yearly Chinese festival celebrated on the 15th day of the 8th lunar month, when the moon is said to be at its biggest and brightest, and closest to the earth. Held in close conjunction with the Lantern Festival, the Mooncake Festival has come to be associated with bright and colorful lanterns.

In Chinese cities or Chinatowns, thousands of candlelit lanterns line sidewalks and waterfronts. Anxious children on moonlit strolls watch as their minders help them to light their lanterns, suspended on the end of a stick. Other excited children run around, faces aglow, gently waving plastic lanterns in the shapes of goldfish, rabbits, butterflies, stars, airplanes and ships. In places like Hong Kong and China and any other regions with large Chinese populations, you'll find families gathering in open spaces and scenic mountain spots to enjoy a view of the season's auspicious full moon. And you might notice some old Chinese ladies cautioning their young never to point at the moon too, for it would be “disrespectful to the Lady of the Moon.” Young hopefuls wandering alone, try to spot the Old Man of the Moon, to ask that he grant them their wishes for true love.

In every Chinese home, a rich brown round “cake” — more like a pie of sorts — is cut and served. Round shapes symbolize return or a full circle, in Chinese philosophy. A fundamental canon of Taoism is perfect harmony, achieved through the union of man's spirit with nature. Thus, the traditional round shapes of mooncakes and older round paper lanterns have come to symbolize an occasion for family reunion to the Chinese.

The roots of the Mooncake Festival may lie in the harvest festivals of old, which were celebrated with thanksgiving, especially after a plentiful harvest. Such harvest festivals were celebrated not only by the Chinese, but by many cultures, including those in the West. The Mooncake Festival however, has a more significantly patriotic undertone to it. In the ways of the Chinese, a simple symbol encapsulates a universe of deep meanings: tales of romance, immortailty, regeneration and hope; a history lesson complete with reminders to diligently guard the independence and integrity of the Chinese people.

Did Mooncakes help expel the Mongols?

According to one popular oral tradition, mooncakes were used to restore Chinese rule in the 13th or 14th century — a time when China was in revolt against Mongolian rule. A rebel, General Chu Yuen Chang, and his Senior Deputy, Liu Po Wen had devised a strategy to recapture a walled city held by the Mongols. Disguised as a Taoist priest, Liu entered the city distributing mooncakes to the populace. On the 15th day of the 8th month, the time of celebrations and traditionally the day when mooncakes are eaten, the Taoist priest Liu's mooncakes were sliced, and to the surprise of the city folk, found to contain hidden messages — instructions to help coordinate an uprising with the attack of Chinese troops outside the walls. The successful dissemination of battle plans through this “Chinese Trojan Horse” of sorts (pardon the Eurocentrism), and the subsequent victory over the northern “barbarians” eventually established Chu as Emperor of China.

Today, mooncakes may not contain notes of conspiracy or messages about dissent and revolt. The delicacy is made of a sweet floury cake base called yueh ping, shaped into round discs symbolizing the moon, and filled with sesame seeds, ground-lotus-seed pâté and salted duck eggs.

Once the discs are sealed, a logo of the “Lady of the Moon” is either printed or cast onto every mooncake. Her logo is as a rule, on every mooncake, every mooncake box and every mooncake festive poster; sometimes along with a “jade hare.” So who is this Lady, whom to this day, Chinese operas still portray as dancing and flying toward the moon?

The Lady of the Moon

According to another popular oral Chinese tradition, there was once a beautiful woman named Chang Oh, who lived a long, long, long time ago, specifically during the Sha Dynasty of 2205-1766 B.C.. She was married to Hou Yi, a skilled archer and great general of the Imperial Guard. One day, at the behest of the Emperor, the general shot down eight of nine suns that had mysteriously appeared in the heavens that morning. He was richly rewarded for his marksmanship by the Emperor and the relieved populace. However, fearing that the suns would re-appear and dry up the earth, they prayed to Wang Mu, the Goddess of Heaven, asking that General Hou be made an immortal, so that he could continue to defend the nation for all eternity. The goddess granted them their wish, and General Hou was given a pill of immortality. Unfortunately, his envious wife Chang Oh, seized the pill of immortality for herself, and fled to the moon.

The story continues, that when Chang Oh reached the moon, she found a tree under which there was a friendly “jade hare.” She began coughing to the cold moon air and accidentally regurgitated the pill of immortality. Wishing to make amends and to appease her pursuers, she ordered the hare to pound it into small pieces and to scatter the chaff all over the earth, so that everyone could be made immortal. She then built a palace for herself and remained on the moon.

Perhaps she met the Old Man of the Moon and lived happily ever after?

Yes, there is a third popular oral tradition associated with the Mooncake Festival.

The Old Man of the Moon

All romantics know that true love and marriages are made in heaven, but what the Chinese say, is that all marriages are decided on the moon... by none other than the Old Man of the Moon, of course!

Yueh Lao Yeh, the old man of the moon, is said to keep a book of records, with all the names of the newborn. He decides who everyone's future partner will be, and his decisions, once written in his book, are an irreversible fate. Hopeful singles and even ambitious children hike away from the cities into open spaces and mountain tops during the Mooncake Festival just to see the moon, hoping to catch a glimpse of the Old Man of the Moon, and ask that he grant them their wishes about their future partners.

Today, the Mooncake Festival, as the second largest Chinese Festival after the Chinese New Year, has been heavily commercialized. Mooncakes are as a rule, severely overpriced commodities, “quality” ones easily costing $50 each during peak season, even in cheaper Asian countries like Singapore and Hong Kong. And we're talking just a few bites per “cake” for ingredients worth a few cents. Still, you'll the Chinese dishing out their money to buy them, rather than “lose face” for not being “too poor” to afford one. Perhaps no price is too small to pay for “saving China,” “a taste of immortality” and “eternal love.”

© Zak Keith, 2003

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